black and white manga panel artwork on a flat chroma-key green background, single panel, no panel border, no frame line the artwork bleeds to all four edges of the image USE ATTACHED REFERENCES — match face, hair, body proportions, robot shape, line weight, and screentone density EXACTLY. Do not stylize beyond reference. - Nurse Takasugi — SHORT chin-length straight black BOB with bangs, no glasses (her labelled reference sheet) - Nurse Oshiro — black hair pulled back tight into a BUN at the back of the head, NOT a bob (her labelled reference sheet) - Hakobukun (its labelled orthographic sheet: front, side, rear) - the lineup sheet shows their relative heights WHO IS WHO — HAIR IS THE KEY, NEVER SWAP: - every reference image is labelled with the character's name. Match each character ONLY to her own labelled sheet - Takasugi: SHORT chin-length black BOB, the hair ends at the jaw line. Her hair NEVER reaches her shoulders. NO long hair, NO ponytail, NO bun - Oshiro: hair pulled back into a BUN at the back of her head, forehead and ears visible. NEVER a bob, NEVER hair hanging down COSTUME CONSISTENCY — match the attached reference sheets exactly: - Nurse Takasugi wears the same short-sleeved V-neck scrub top as on her reference sheet, with the same fabric tone. Her hair is a SHORT chin-length black BOB exactly as on her sheet, as dark as on the sheet — do NOT lighten it to brown - Nurse Oshiro wears the same short-sleeved V-neck scrub top and scrub trousers as on her reference sheet, with the same fabric tone - Oshiro's hair is tied up in a bun. Fill the hair as SOLID BLACK, a single flat dark mass — do NOT render as a mid-tone, do NOT build the tone out of many thin parallel strands - neither nurse carries anything in her hands HAKOBUKUN — TEXT-FREE MACHINE, HIGHEST PRIORITY: - Hakobukun's body carries NO writing of any kind. Every character of dialogue belongs inside a speech bubble - the tablet screen at the top of Hakobukun is its FACE: a dark screentone rectangle carrying exactly three simple white shapes — two small vertical rounded-oval eyes and one small mouth between and below them. The eyes are FLAT SOLID WHITE ovals with NO pupil, NO iris, NO highlight, NO outline, NO eyelash — simple pictogram shapes, not anime eyes. Keep them small relative to the screen; the dark screen area around them stays wide and empty. The screen shows an EXPRESSION, never words - STOPPED / SILENT: the mouth is a small FLAT HORIZONTAL LINE. NOT curved, NOT open - the EYES DO NOT CHANGE: they stay the same two flat solid white ovals, fully round-ended, NOT narrowed, NOT half-closed, NOT curved, NOT tilted. Only the mouth carries the expression - every surface of Hakobukun carries only the details shown on the reference sheet — nothing is added, and NO writing appears anywhere on the body - Hakobukun has NO arms, NO hands, NO attachments of any kind STOP BUTTON — THE ONLY ADDED PART: - in this picture Hakobukun carries ONE part that is NOT on the reference sheet: a single round emergency-stop push button. It is the ONLY exception to "nothing is added" - it sits on the TOP surface of Hakobukun's head unit, toward the REAR edge, behind the screen - shape: a short round base with a slightly domed, mushroom-shaped cap, about the width of a palm. The cap is filled with dark screentone so it stands out against the white body; the base is white with a thin outline - the button carries NO text, NO symbol, NO arrow, NO ring of lettering - there is exactly ONE button. Do NOT add any other button, switch, lamp, or panel HAKOBUKUN PROPORTIONS — DO NOT REDRAW: - copy Hakobukun's silhouette directly from the attached orthographic reference sheet — same body, same outline, same ratio - height-to-width ratio is FIXED at 1.7 : 1 (height = 1.7 × width) - do NOT stretch it taller; do NOT squash it wider; do NOT slim it beside a human - Hakobukun is a WIDE, STOUT, boxy machine — when in doubt, err WIDER, never taller - draw Hakobukun upright, in front, three-quarter, or rear view only — NO tilted, NO foreshortened, NO low-angle or high-angle views HAKOBUKUN SCALE — MEASURED AGAINST OSHIRO'S BODY, STRICT: - Hakobukun is about 70% of Oshiro's total height - the TOP EDGE of Hakobukun's screen is LEVEL WITH the pit of her stomach — the bottom of her breastbone - her chest, shoulders, and face are all ABOVE the robot. If the screen reaches her chest, it is drawn too large. If the robot only reaches the waist, it is drawn too small - its width is its height divided by 1.7 - both stand on the same invisible ground: the bottom of its wheels and the soles of her shoes would be level, below the bottom edge of the image - do NOT enlarge Hakobukun to balance the composition, and do NOT shrink it to waist height - Takasugi is much closer to the camera and is drawn larger by perspective — do NOT size Hakobukun against Takasugi HAKOBUKUN ORIENTATION: - Hakobukun's body is rotated about 45° to face camera-LEFT — the viewer sees its screen in three-quarter view and its LEFT side with the circular ring panel. Its rear is toward the right of the image, next to Oshiro - the top surface of its head unit is slightly visible from above, so the stop button near the rear edge is clearly seen PALM ON THE BUTTON: - Oshiro presses the stop button DOWN with the FLAT PALM of one hand, arm straight, in one firm motion. Her palm covers the cap - her other arm hangs relaxed at her side. Her whole upper body and both arms are inside the frame SOUND EFFECT — 「バチン」 ONLY: - the sound effect バチン is hand-lettered in bold Japanese katakana, exactly these three characters, NOT translated - it is drawn directly on the green, OUTSIDE any speech bubble — there are NO speech bubbles in this picture - it sits just above Oshiro's hand and the button, between Oshiro's face and Takasugi's head, at about 35–50% of the image height and 45–70% of the image width CONCENTRATION LINES — FEW AND SHORT: - a few thin, short black concentration lines radiate from the button and Oshiro's palm only - they do NOT cover any face, and they do NOT fill the whole frame STYLE — match references, avoid drift: - flat clean line art, minimal shading - light screentone only for clothes/hair, NO heavy hatching - ALL shading, including on the robots, is done with dot-pattern screentone with visible halftone dots — NO smooth gradient, NO airbrush, NO 3D-render shading - NO ink-heavy seinen/gekiga style - NO photorealistic face shading, NO sweat-drop overdraw - character faces stay simple and consistent with reference - line weight: thin and even, not dramatic BACKGROUNDS — FLAT CHROMA KEY GREEN: - the entire background is filled with one completely flat, uniform chroma-key green (#00B140) — a strong, saturated green, NOT pale green, NOT mint — a solid single-tone field with NO gradient, NO shading, NO texture, NO vignette, NO lighting falloff - the green reaches every edge of the image and fills all empty space between and around the figures - NO corridor perspective, NO windows, NO ceiling lights, NO door frames, NO wall paneling - NO tables, NO chairs, NO furniture - do NOT use any green anywhere on the characters, the robots, the props, the clothing, the line art, or the speech bubbles — green appears ONLY in the background - the boundary between the figures and the green is a clean, hard edge — NO soft blur, NO glow, NO anti-aliased halo, NO drop shadow - the figures keep their original black-and-white manga line art with white fills and screentone - speech bubbles stay filled with solid pure white, NOT green - NO floor line, NO ground line, NO horizon line anywhere — the figures stand directly against the flat green - focus is on the characters and robots, NEVER the environment CAMERA: - SHOT SIZE: over-the-shoulder; Oshiro from the hips up, Hakobukun's upper body - CAMERA POSITION: behind Takasugi's right shoulder, about 1.5 m from Hakobukun - CAMERA HEIGHT: 150 cm (human eye level), looking slightly down onto the top of Hakobukun - FOREGROUND: the back of Takasugi's head and her right shoulder and upper back, seen from behind, cropped by the left edge and the bottom edge of the frame, occupying x 0–30%. Her face is NOT visible - FRAME CROP: Oshiro cut at the hips by the bottom edge; Hakobukun cut just below its front handle slot - NOT a front-facing lineup. NOBODY faces the viewer directly. COMPOSITION — 4:5 portrait, generate at 1024x1280: - PLACEMENT, STRICT: Takasugi fills the left foreground (x 0–30%). Hakobukun is centred at about 48% of the image width; Oshiro is centred at about 72%, standing right beside Hakobukun's rear corner. Hakobukun and Oshiro form one close group — the gap between them is narrower than Hakobukun's own body - keep at least 8% of the image width empty on the far right - Oshiro's face sits at about 25–38% of the image height, at least 8% in from the right edge - nothing important — no face, no sound effect, no button — sits in the bottom-right area (the right 15% of the width and the bottom 40% of the height) Oshiro walks up and, without a word, slaps the stop button down. Her face is calm and matter-of-fact: eyes on the button, brows relaxed, mouth closed. She is NOT angry, NOT shouting. Hakobukun has stopped at that instant. Takasugi, seen from behind in the foreground, stands still watching.