black and white manga panel artwork on a flat chroma-key green background, single panel, no panel border, no frame line
the artwork bleeds to all four edges of the image

USE ATTACHED REFERENCES — match face, hair, body proportions, robot shape, line weight, and screentone density EXACTLY. Do not stylize beyond reference.
- Nurse Takasugi — SHORT chin-length straight black BOB with bangs, no glasses (her labelled reference sheet)
- Hakobukun (its labelled orthographic sheet: front, side, rear)
- the lineup sheet shows their relative heights

TAKASUGI'S HAIR — MATCH HER LABELLED SHEET:
- Takasugi has SHORT chin-length straight black BOB hair with bangs, the hair ends at the jaw line. Her hair NEVER reaches her shoulders. NO long hair, NO ponytail, NO bun

COSTUME CONSISTENCY — match the attached reference sheets exactly:
- Nurse Takasugi wears the same short-sleeved V-neck scrub top and scrub trousers as on her reference sheet, with the same fabric tone
- her hair is a SHORT chin-length black BOB exactly as on her reference sheet, as dark as on the sheet — do NOT lighten it to brown. NO glasses
- she carries nothing in her hands

HAKOBUKUN — TEXT-FREE MACHINE, HIGHEST PRIORITY:
- Hakobukun's body carries NO writing of any kind. Every character of dialogue belongs inside a speech bubble
- the tablet screen at the top of Hakobukun is its FACE: a dark screentone rectangle carrying exactly three simple white shapes — two small vertical rounded-oval eyes and one small mouth between and below them. The eyes are FLAT SOLID WHITE ovals with NO pupil, NO iris, NO highlight, NO outline, NO eyelash — simple pictogram shapes, not anime eyes. Keep them small relative to the screen; the dark screen area around them stays wide and empty. The screen shows an EXPRESSION, never words
- NORMAL: the mouth is a small white OPEN SMILE — a half-circle with a flat top edge and a rounded bottom edge, exactly as on the reference sheet. NOT a thin curved line, NOT a wide grin, NO teeth
- the EYES DO NOT CHANGE: they stay the same two flat solid white ovals, fully round-ended, NOT narrowed, NOT half-closed, NOT curved, NOT tilted. Only the mouth carries the expression
- every surface of Hakobukun carries only the details shown on the reference sheet — nothing is added, and NO writing appears anywhere on the body
- Hakobukun has NO arms, NO hands, NO attachments of any kind

HAKOBUKUN MOUTH — A FILLED SHAPE, NOT A LINE:
- the mouth is a SOLID FILLED white shape: a half-circle, flat edge on top, rounded edge below, white all the way through
- it is NOT a curved stroke, NOT a smile line, NOT an outline with dark inside

STOP BUTTON — THE ONLY ADDED PART:
- in this picture Hakobukun carries ONE part that is NOT on the reference sheet: a single round emergency-stop push button. It is the ONLY exception to "nothing is added"
- it sits on the TOP surface of Hakobukun's head unit, toward the REAR edge, behind the screen
- shape: a short round base with a slightly domed, mushroom-shaped cap, about the width of a palm. The cap is filled with dark screentone so it stands out against the white body; the base is white with a thin outline
- the button carries NO text, NO symbol, NO arrow, NO ring of lettering
- there is exactly ONE button. Do NOT add any other button, switch, lamp, or panel

HAKOBUKUN PROPORTIONS — DO NOT REDRAW:
- copy Hakobukun's silhouette directly from the attached orthographic reference sheet — same body, same outline, same ratio
- height-to-width ratio is FIXED at 1.7 : 1 (height = 1.7 × width)
- do NOT stretch it taller; do NOT squash it wider; do NOT slim it beside a human
- Hakobukun is a WIDE, STOUT, boxy machine — when in doubt, err WIDER, never taller
- draw Hakobukun upright, in front, three-quarter, or rear view only — NO tilted, NO foreshortened, NO low-angle or high-angle views

HAKOBUKUN SCALE — MEASURED AGAINST TAKASUGI'S BODY, STRICT:
- Hakobukun is about 74% of Takasugi's total height
- the TOP EDGE of Hakobukun's screen is LEVEL WITH her chest
- her shoulders, chin, and face are all ABOVE the robot. If the screen reaches her shoulders, it is drawn too large. If the robot only reaches the waist, it is drawn too small
- its width is its height divided by 1.7
- both stand on the same invisible ground: the bottom of its wheels and the soles of her shoes would be level, below the bottom edge of the image
- do NOT enlarge Hakobukun to balance the composition, and do NOT shrink it to waist height

HAKOBUKUN ORIENTATION:
- Hakobukun's body is rotated about 45° to face camera-LEFT — the viewer sees its screen in three-quarter view and its LEFT side with the circular ring panel. Its rear is toward the right of the image, next to Takasugi
- the top surface of its head unit is slightly visible from above, so the stop button near the rear edge is clearly seen

FINGER NOT TOUCHING THE BUTTON:
- Takasugi reaches toward the stop button with one hand, index finger extended
- her fingertip STOPS about one finger-width ABOVE the cap — there is a clear gap of green between fingertip and button. She is NOT touching it, NOT pressing it
- her whole arm and hand are inside the frame

STYLE — match references, avoid drift:
- flat clean line art, minimal shading
- light screentone only for clothes/hair, NO heavy hatching
- ALL shading, including on the robots, is done with dot-pattern screentone with visible halftone dots — NO smooth gradient, NO airbrush, NO 3D-render shading
- NO ink-heavy seinen/gekiga style
- NO photorealistic face shading, NO sweat-drop overdraw
- character faces stay simple and consistent with reference
- line weight: thin and even, not dramatic

BACKGROUNDS — FLAT CHROMA KEY GREEN:
- the entire background is filled with one completely flat, uniform chroma-key green (#00B140) — a strong, saturated green, NOT pale green, NOT mint — a solid single-tone field with NO gradient, NO shading, NO texture, NO vignette, NO lighting falloff
- the green reaches every edge of the image and fills all empty space between and around the figures
- NO corridor perspective, NO windows, NO ceiling lights, NO door frames, NO wall paneling
- NO tables, NO chairs, NO furniture
- do NOT use any green anywhere on the characters, the robots, the props, the clothing, the line art, or the speech bubbles — green appears ONLY in the background
- the boundary between the figures and the green is a clean, hard edge — NO soft blur, NO glow, NO anti-aliased halo, NO drop shadow
- the figures keep their original black-and-white manga line art with white fills and screentone
- speech bubbles stay filled with solid pure white, NOT green
- NO floor line, NO ground line, NO horizon line anywhere — the figures stand directly against the flat green
- focus is on the characters and robots, NEVER the environment

DIALOGUE LANGUAGE:
- ALL dialogue text must be rendered in Japanese exactly as written below
- DO NOT translate any line into English

SPEECH BUBBLE TEXT — STRICT:
- the bracketed speaker labels are instructions for YOU only — they are NOT part of the artwork
- render ONLY the text inside 「」 as visible characters; draw NOTHING else
- that text goes inside ordinary rounded speech bubbles — NO jagged bubbles, NO burst shapes
- NEVER draw the speaker label, the brackets, a name, or a colon inside or beside any speech bubble. NEVER draw a bubble that contains only a name
- the 「」 quotation marks themselves are not drawn
- the text in every bubble runs HORIZONTALLY, left to right
- each bubble's tail points clearly to its own speaker, as stated in COMPOSITION. If two speakers say the same words, draw two separate bubbles
- draw each line ONCE. Do NOT repeat, duplicate, or echo any line inside a bubble
- reproduce each 「」 line CHARACTER BY CHARACTER, exactly as many characters as written — do NOT insert, repeat, or duplicate any single character inside a word
- letter the dialogue in Japanese manga typesetting style: kanji in a gothic face, kana in a mincho face (the "antique" style used in printed manga)

CAMERA:
- SHOT SIZE: two-shot, Takasugi from the hips up, Hakobukun's upper body
- CAMERA POSITION: front-left of Takasugi, about 40° off her front, 1.5 m from the pair
- CAMERA HEIGHT: 150 cm (human eye level), level with Takasugi's face, looking slightly down onto the top of Hakobukun
- FRAME CROP: the bottom edge of the image cuts Takasugi at her hips and cuts Hakobukun just BELOW the bottom of its screen — the whole screen and the stop button stay inside the frame
- NOT a front-facing lineup. NOBODY faces the viewer directly.

COMPOSITION — 4:5 portrait, generate at 1024x1280:
- PLACEMENT, STRICT: the two figures form ONE close group. Hakobukun is centred at about 36% of the image width, in the lower-left part of the image; Takasugi is centred at about 66%, standing just behind Hakobukun's rear corner — Hakobukun's right edge overlaps the silhouette of her lower body. They are NOT pushed to opposite edges
- keep at least 8% of the image width empty on the far left and far right
- the top of Takasugi's head is at about 28% of the image height; her face sits between about 28% and 42%
- the speech bubble occupies the band between 4% and 24% of the image height, above the figures. It is drawn COMPLETE, with its full rounded outline and every character visible. NO bubble touches or crosses any edge of the image. If the bubble does not fit, make the bubble SMALLER — never crop it
- the tail of the bubble 「これ、私が押していいやつ…？」 points to Takasugi
- the …？ at the end of the line is drawn as written
- nothing important — no face, no bubble, no button — sits in the bottom-right area (the right 15% of the width and the bottom 40% of the height)

Takasugi, body turned about 45° to camera-left, leans slightly toward Hakobukun and reaches for the stop button on top of it, but her finger freezes just above it. Her face is troubled: brows drawn together, eyes looking down at the button, mouth slightly open, exactly ONE small sweat drop at her temple. She is NOT smiling, NOT pressing the button.
[Takasugi]「これ、私が押していいやつ…？」
