black and white manga panel artwork on a flat chroma-key green background, single panel, no panel border, no frame line
the artwork bleeds to all four edges of the image

USE ATTACHED REFERENCES — match face, hair, body proportions, robot shape, line weight, and screentone density EXACTLY. Do not stylize beyond reference.
- Nurse Takasugi — SHORT chin-length straight black BOB with bangs, no glasses (her labelled reference sheet)
- Nurse Oshiro — black hair pulled back tight into a BUN at the back of the head, NOT a bob (her labelled reference sheet)
- Hakobukun (its labelled orthographic sheet: front, side, rear)
- the lineup sheet shows their relative heights

WHO IS WHO — HAIR IS THE KEY, NEVER SWAP:
- every reference image is labelled with the character's name. Match each character ONLY to her own labelled sheet
- Takasugi: SHORT chin-length black BOB, the hair ends at the jaw line. Her hair NEVER reaches her shoulders. NO long hair, NO ponytail, NO bun
- Oshiro: hair pulled back into a BUN at the back of her head, forehead and ears visible. NEVER a bob, NEVER hair hanging down

COSTUME CONSISTENCY — match the attached reference sheets exactly:
- Nurse Takasugi wears the same short-sleeved V-neck scrub top as on her reference sheet, with the same fabric tone. Her hair is a SHORT chin-length black BOB exactly as on her sheet, as dark as on the sheet — do NOT lighten it to brown
- Nurse Oshiro wears the same short-sleeved V-neck scrub top and scrub trousers as on her reference sheet, with the same fabric tone
- Oshiro's hair is tied up in a bun. Fill the hair as SOLID BLACK, a single flat dark mass — do NOT render as a mid-tone, do NOT build the tone out of many thin parallel strands
- neither nurse carries anything in her hands

HAKOBUKUN — TEXT-FREE MACHINE, HIGHEST PRIORITY:
- Hakobukun's body carries NO writing of any kind. Every character of dialogue belongs inside a speech bubble
- the tablet screen at the top of Hakobukun is its FACE: a dark screentone rectangle carrying exactly three simple white shapes — two small vertical rounded-oval eyes and one small mouth between and below them. The eyes are FLAT SOLID WHITE ovals with NO pupil, NO iris, NO highlight, NO outline, NO eyelash — simple pictogram shapes, not anime eyes. Keep them small relative to the screen; the dark screen area around them stays wide and empty. The screen shows an EXPRESSION, never words
- TROUBLED / UNSURE: the mouth is a small WAVY LINE — a gentle horizontal squiggle like a tilde. NOT a frown, NOT open
- the EYES DO NOT CHANGE: they stay the same two flat solid white ovals, fully round-ended, NOT narrowed, NOT half-closed, NOT curved, NOT tilted. Only the mouth carries the expression
- every surface of Hakobukun carries only the details shown on the reference sheet — nothing is added, and NO writing appears anywhere on the body
- Hakobukun has NO arms, NO hands, NO attachments of any kind

STOP BUTTON — THE ONLY ADDED PART:
- in this picture Hakobukun carries ONE part that is NOT on the reference sheet: a single round emergency-stop push button. It is the ONLY exception to "nothing is added"
- it sits on the TOP surface of Hakobukun's head unit, toward the REAR edge, behind the screen
- SAME DESIGN AS IN THE OTHER PANELS — copy the labelled stop-button sample image: a LOW, FLAT, round cap filled almost SOLID BLACK, a short straight-sided cylinder, sitting directly on a low WHITE round collar. About as wide as a palm. NOT a domed mushroom, NO stem, NO neck between cap and collar
- the button carries NO text, NO symbol, NO arrow, NO ring of lettering
- there is exactly ONE button. Do NOT add any other button, switch, lamp, or panel
- the button MUST be VISIBLE in this picture: the camera looks slightly down onto the top of Hakobukun, so the dome of the button stands up clearly on top of the head unit. Do NOT leave it out — it is the button Oshiro just pressed

HAKOBUKUN PROPORTIONS — DO NOT REDRAW:
- copy Hakobukun's silhouette directly from the attached orthographic reference sheet — same body, same outline, same ratio
- height-to-width ratio is FIXED at 1.7 : 1 (height = 1.7 × width)
- do NOT stretch it taller; do NOT squash it wider; do NOT slim it beside a human
- Hakobukun is a WIDE, STOUT, boxy machine — when in doubt, err WIDER, never taller
- draw Hakobukun upright, in front, three-quarter, or rear view only — NO tilted, NO foreshortened, NO low-angle or high-angle views

HAKOBUKUN SCALE — MEASURED AGAINST OSHIRO'S BODY, STRICT:
- Hakobukun is about 70% of Oshiro's total height
- the TOP EDGE of Hakobukun's screen is LEVEL WITH the pit of her stomach — the bottom of her breastbone, just below her folded arms
- her folded arms, shoulders, and face are all ABOVE the robot. If the screen reaches her chest, it is drawn too large. If the robot only reaches the waist, it is drawn too small
- its width is its height divided by 1.7
- both stand on the same invisible ground: the bottom of its wheels and the soles of her shoes would be level, below the bottom edge of the image
- do NOT enlarge Hakobukun to balance the composition, and do NOT shrink it to waist height
- Takasugi is much closer to the camera and is drawn larger by perspective — do NOT size Hakobukun against Takasugi

HAKOBUKUN SHAPE — AS ON ITS LABELLED SHEET:
- a NARROWER head unit carrying the screen sits on TOP of a WIDER body. The screen faces the SAME direction as the front of the body
- the circular ring panel is on its SIDE, never on the face side. Do NOT draw it as a box with the screen on its side, NOT like a TV or microwave
- the body is complete from the head unit down to the black band and the dotted base; it is NOT squashed short

HAKOBUKUN ORIENTATION:
- Hakobukun's body is rotated about 45° to face camera-LEFT, toward Takasugi — the viewer sees its screen in three-quarter view and its LEFT side with the circular ring panel
- in the picture the screen is on the LEFT part of the robot, angled toward Takasugi; its side with the circular ring panel shows to the RIGHT of the screen

BOTH HANDS IN FRAME:
- Takasugi raises both forearms in front of her chest, elbows bent, palms turned UP and open — an exasperated "see?" gesture
- BOTH hands and all fingers are fully inside the frame. Do NOT crop a hand at the edge

STYLE — match references, avoid drift:
- flat clean line art, minimal shading
- light screentone only for clothes/hair, NO heavy hatching
- ALL shading, including on the robots, is done with dot-pattern screentone with visible halftone dots — NO smooth gradient, NO airbrush, NO 3D-render shading
- NO ink-heavy seinen/gekiga style
- NO photorealistic face shading, NO sweat-drop overdraw
- character faces stay simple and consistent with reference
- line weight: thin and even, not dramatic

BACKGROUNDS — FLAT CHROMA KEY GREEN:
- the entire background is filled with one completely flat, uniform chroma-key green (#00B140) — a strong, saturated green, NOT pale green, NOT mint — a solid single-tone field with NO gradient, NO shading, NO texture, NO vignette, NO lighting falloff
- the green reaches every edge of the image and fills all empty space between and around the figures
- NO corridor perspective, NO windows, NO ceiling lights, NO door frames, NO wall paneling
- NO tables, NO chairs, NO furniture
- do NOT use any green anywhere on the characters, the robots, the props, the clothing, the line art, or the speech bubbles — green appears ONLY in the background
- the boundary between the figures and the green is a clean, hard edge — NO soft blur, NO glow, NO anti-aliased halo, NO drop shadow
- the figures keep their original black-and-white manga line art with white fills and screentone
- speech bubbles stay filled with solid pure white, NOT green
- NO floor line, NO ground line, NO horizon line anywhere — the figures stand directly against the flat green
- focus is on the characters and robots, NEVER the environment

DIALOGUE LANGUAGE:
- ALL dialogue text must be rendered in Japanese exactly as written below
- DO NOT translate any line into English

SPEECH BUBBLE TEXT — STRICT:
- the bracketed speaker labels are instructions for YOU only — they are NOT part of the artwork
- render ONLY the text inside 「」 as visible characters; draw NOTHING else
- that text goes inside ordinary rounded speech bubbles — NO jagged bubbles, NO burst shapes
- NEVER draw the speaker label, the brackets, a name, or a colon inside or beside any speech bubble. NEVER draw a bubble that contains only a name
- the 「」 quotation marks themselves are not drawn
- the text in every bubble runs HORIZONTALLY, left to right
- each bubble's tail points clearly to its own speaker, as stated in COMPOSITION. If two speakers say the same words, draw two separate bubbles
- Takasugi's bubble holds exactly three short lines: 押していいって、 / どこにも / 書いてないのよ — the kanji 書 appears ONLY ONCE
- Hakobukun's bubble holds exactly three short lines: 非常停止、 / 誰デモ押セマス！ / 以後明記シマス — check every katakana: 押セマス has マ between セ and ス, and 明記シマス ends with シマス
- draw each line ONCE. Do NOT repeat, duplicate, or echo any line inside a bubble
- reproduce each 「」 line CHARACTER BY CHARACTER, exactly as many characters as written — do NOT insert, repeat, or duplicate any single character inside a word
- letter the dialogue in Japanese manga typesetting style: kanji in a gothic face, kana in a mincho face (the "antique" style used in printed manga)

CAMERA:
- SHOT SIZE: three-person depth shot; Takasugi chest-up in the foreground, Hakobukun's upper half and Oshiro from mid-thigh up behind
- CAMERA POSITION: front-left of Takasugi, about 45° off her front, close to her; Hakobukun and Oshiro about 2 m further back
- CAMERA HEIGHT: 150 cm (human eye level), looking slightly down onto the top of Hakobukun
- FOREGROUND: Takasugi's left shoulder cropped by the left frame edge; her figure occupies x 0–42%
- FRAME CROP: Takasugi cut at mid-chest by the bottom edge; Oshiro cut at mid-thigh; Hakobukun cut just below its front handle slot
- NOT a front-facing lineup. NOBODY faces the viewer directly.

COMPOSITION — 4:5 portrait, generate at 1024x1280:
- PLACEMENT, STRICT: Takasugi is in the left foreground, her face centred at about 24% of the image width and between about 30% and 52% of the image height. Hakobukun stands behind her, centred at about 52% of the image width; Takasugi's right shoulder overlaps Hakobukun's left edge. Oshiro stands right beside Hakobukun, centred at about 74%; her face sits between about 32% and 44% of the image height, at least 8% in from the right edge
- the speech bubbles occupy the band between 4% and 26% of the image height, above the figures. They are drawn COMPLETE, each with its full rounded outline and every character visible. NO bubble touches or crosses any edge of the image. If a bubble does not fit, make the bubble SMALLER — never crop it. Each bubble may wrap its text onto two or three short lines
- the three bubbles sit side by side from left to right in this order: 「押していいって、どこにも書いてないのよ」 at the left, 「非常停止、誰デモ押セマス！以後明記シマス」 in the centre, 「うんね」 at the right
- the tail of the bubble 「押していいって、どこにも書いてないのよ」 points to Takasugi
- the tail of the bubble 「非常停止、誰デモ押セマス！以後明記シマス」 points to Hakobukun
- the tail of the bubble 「うんね」 points to Oshiro
- keep at least 8% of the image width empty on the far left and far right of the bubble band
- nothing important — no face, no bubble — sits in the bottom-right area (the right 15% of the width and the bottom 40% of the height)

Takasugi, body turned about 45° to camera-right toward Hakobukun, complains with both palms up: brows raised, mouth open mid-sentence. Hakobukun, stopped, answers with a troubled wavy mouth. Oshiro, behind, arms folded across her chest, eyes closed, head tipped slightly forward in a small nod, mouth closed in a calm line.
[Takasugi]「押していいって、どこにも書いてないのよ」
[Hakobukun]「非常停止、誰デモ押セマス！以後明記シマス」
[Oshiro]「うんね」
